Difference And Repetition Gilles Deleuze Pdf
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Deleuze is a key figure in postmodern French philosophy. Considering himself an empiricist and a vitalist, his body of work, which rests upon concepts such as multiplicity, constructivism, difference, and desire, stands at a substantial remove from the main traditions of 20th century Continental thought. His thought locates him as an influential figure in present-day considerations of society, creativity and subjectivity.
The Journal of Nietzsche Studies
Email: delagarza asu. Departures in Critical Qualitative Research 1 December ; 8 4 : 10— In the spirit of Gilles Deleuze, who sought to interrogate the presuppositions of the ideas and concepts we assume as a function of our education and social existence, this essay uses poetic prose to reflect upon nine quotations from Difference and Repetition as they are relevant to questions of merit and distinction.
Like Deleuze, the author assumes that allusive and even metaphysical prose employing neologisms and creative re interpretation of language can be especially helpful when critiquing and seeking to understand repetition, tradition, and hierarchies that have been locked in place by disciplined styles of expression. Sign In or Create an Account. User Tools. Sign In.
Skip Nav Destination Article Navigation. Close mobile search navigation Article navigation. Volume 8, Issue 4. Previous Article Next Article. Article Navigation. Research Article December 01 This Site. Google Scholar. Departures in Critical Qualitative Research 8 4 : 10— Cite Icon Cite. All rights reserved. You do not currently have access to this content. View full article. Sign in Don't already have an account? Client Account.
In the world of computer hardware, Moore's Law states that processing power doubles roughly every two years. On recent evidence, the same might be said of the Deleuze industry, which surely cannot be far from collapsing under its own weight. Even before production reached its peak, Deleuze studies attracted trilogists, exemplified by the brilliantly original Keith Ansell-Pearson and the wonderfully lucid Claire Colebrook, writing, when the field was still nascent, in the s and early s. The old master Ronald Bogue produced a hat-trick in alone — the year of the first edition of James Williams's book, his first of three on the philosopher. Most users should sign in with their email address.
Originally published in France, it was translated into English by Paul Patton in Difference and Repetition was Deleuze's principal thesis for the Doctorat D'Etat alongside his secondary, historical thesis, Expressionism in Philosophy: Spinoza. The work attempts a critique of representation.
Kant and Spinozism pp Cite as. As explained in the introduction, twentieth-century French philosopher Gilles Deleuze is included in this book due to his continuity, as a critic and interpreter of Kant, with Jacobi, Herder, and Maimon. In this respect, and in respect of several key ideas of his major work Difference and Repetition , Deleuze is the contemporary inheritor of Maimon.
Are these statements equivalents or antonyms? Could a Deleuzian metaphilosophical definition of what it means to think with images be suitable to resolve this continental-analytic gap? This means opening the philosophical field to new ways of expression, to challenge what we think the philosophical praxis to be. With this article, my aim is to show the Deleuzian conditions for a film to think-whenever it creates sensations that persist, through employing a composition of affects and percepts that do not rely on the human sentiendum. A film provides us a possible world that is self-referential and autopoietic, but its thought should not be in the screenplay or in its dialogues verbal language though may exist in between images and sounds a montage is the assemblage of movement-images.
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